Marketing the arts: (Record no. 10321)

MARC details
000 -LEADER
fixed length control field 03962nam a2200205 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251010152949.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780367898878
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 658.8
Item number KER
245 ## - TITLE STATEMENT
Title Marketing the arts:
Remainder of title breaking boundaries
250 ## - EDITION STATEMENT
Edition statement 2nd
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. London
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 2023
300 ## - PHYSICAL DESCRIPTION
Extent xii, 313 p.
365 ## - TRADE PRICE
Price type code INR
Price amount 5644.91
500 ## - GENERAL NOTE
General note Table of contents:<br/>Introduction: Marketing the Arts- Breaking Boundaries<br/><br/>Finola Kerrigan and Chloe Preece<br/><br/>Chapter 1: Arts Marketing, Social Justice Activism, and Government Messaging in the Age of Social Media<br/><br/> <br/><br/>Francesca Sobande<br/><br/> Chapter 2: Arts Marketing & Entrepreneurship – Insights from the Nigerian Music Industry<br/><br/>Nnamdi Madichie<br/><br/> <br/><br/>Chapter 3: Marketing Nigerian Films<br/><br/>Ezinne Michaelia Ezepue<br/><br/> <br/><br/>Chapter 4: Marketing art films in contemporary China: Between the rock of politics and the hard place of economy<br/><br/>Seio Nakajima<br/><br/> <br/><br/>Chapter 5: Researching artistic production: The material turn in arts marketing research<br/><br/>Hannah Borgblad<br/><br/> <br/><br/>Chapter 6: The Marketing of the Arts in the Age of Curatorial Production<br/><br/>Matthew Waters<br/><br/> <br/><br/>Chapter 7: Music Streaming and Surveillance Capitalism<br/><br/>Gary Sinclair and Grace Fox<br/><br/> <br/><br/>Chapter 8: Music festivals and the everyday nature of extraordinary experiences<br/><br/>Athanasia Daskalopoulou, Dr Alexandros Skandalis<br/><br/> <br/><br/>Chapter 9: Selling Secrets: the role of 'elusivity' in the liminoid invitations of immersive theatre<br/><br/>Joanna Bucknell<br/><br/> <br/><br/>Chapter 10: Consuming Cuba through dance: an embodied ethnography of Salsa<br/><br/>Victoria Rodner<br/><br/> <br/><br/>Chapter 11: Poetic orientation for creating and writing<br/><br/>Pilar Rojas-Gaviria<br/><br/> <br/><br/>Chapter 12: Drawing with women: ethical considerations from an art-based project on domestic violence<br/><br/>Benedetta Cappellini, Susana Campos and Vicki Harman<br/><br/> <br/><br/>Chapter 13: Accounting for the Selection of Exhibits: Examining the Organisation of Gallery Talks as a Marketing Activity<br/><br/>Dirk vom Lehn and Linh Dan Nguyen<br/><br/> <br/><br/>Chapter 14: The Many Faces of Indigenous Art: Indigenous Art Market and Decolonizing Perspectives<br/><br/>Ai Ming Chow<br/><br/> <br/><br/>Chapter 15: Marketing through Art – The Case of Braded Entertainment<br/><br/>Katharina Stolley and Samantha Glynne<br/><br/> <br/><br/>Chapter 16: Virtual Reality, Film Marketing and Value<br/><br/>Stephanie Janes<br/><br/> <br/><br/>Chapter 17: For Sale, Baby Shoes, Never Worn:What Has Hemingway Ever Done For Us?<br/><br/>Stephen Brown<br/><br/>[https://www.routledge.com/Marketing-the-Arts-Breaking-Boundaries/Kerrigan-Preece/p/book/9780367898878]
520 ## - SUMMARY, ETC.
Summary, etc. With contributions from international scholars of marketing and consumer studies, this renowned text engages directly with a range of contemporary themes, including:<br/><br/>The importance of arts consumption and its socio-cultural, political, and economic dimensions<br/>The impact of new technologies, platforms, and alternative artforms on the art market<br/>The importance of the aesthetic experience itself and how to research it<br/>The value of arts-based methods<br/>The art versus commerce debate<br/>The artist as entrepreneur<br/>The role of the arts marketer as market-maker<br/>This fully updated new edition covers digital trends in the arts and emerging technologies, including virtual reality, streaming services, and branded entertainment. It also broadens the scope of investigation beyond the West looking to film in emerging markets such as China, music in Sub-Saharan Africa, and indigenous art in Australia. Alongside in-depth theoretical analysis, this edition of Marketing the Arts takes inspiration from the creativity inherent in current artistic practice to demonstrate a plurality of approaches and methodologies. <br/><br/>(https://www.routledge.com/Marketing-the-Arts-Breaking-Boundaries/Kerrigan-Preece/p/book/9780367898878)
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Kerrigan, Finola [Editor]
710 ## - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Preece, Chloe [Editor]
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Dewey Decimal Classification
710 ## - ADDED ENTRY--CORPORATE NAME
-- 25441
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Bill No Bill Date Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Full call number Accession Number Date last seen Copy number Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification     Marketing IN32489 20-09-2025 Indian Institute of Management LRC Indian Institute of Management LRC General Stacks 10/05/2025 Overseas Press India Private 3669.19   658.8 KER 009026 10/05/2025 1 5644.91 10/05/2025 Book

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