Storyworlds across media: toward a media-conscious narratology

Contributor(s):

Material type: Text

TextPublication details: University of Nebraska Press London 2014Description: xi, 363 pISBN:

9780803245631

Subject(s):

DDC classification:

302.2301 RYA

Summary: The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media—everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games—is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness? The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate. (https://www.nebraskapress.unl.edu/nebraska-paperback/9780803245631/storyworlds-across-media/)

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Holdings
Item type	Current library	Collection	Call number	Copy number	Status	Date due	Barcode
Book	Indian Institute of Management LRC General Stacks	Public Policy & General Management	302.2301 RYA (Browse shelf(Opens below))	1	Available		008253

Table of contents:
List of Illustrations
Acknowledgments
Storyworlds across Media: Introduction
Marie-Laure Ryan and Jan-Noël Thon
Part I. Mediality and Transmediality
1. Story/Worlds/Media: Tuning the Instruments of a Media-Conscious Narratology
Marie-Laure Ryan
2. Emplotting a Storyworld in Drama: Selection, Time, and Construal in the Discourse of Hamlet
Patrick Colm Hogan
3. Subjectivity across Media: On Transmedial Strategies of Subjective Representation in Contemporary Feature Films, Graphic Novels, and Computer Games
Jan-Noël Thon
4. Fiction across Media: Toward a Transmedial Concept of Fictionality
Frank Zipfel
5. Framings of Narrative in Literature and the Pictorial Arts
Werner Wolf
Part II: Multimodality and Intermediality
6. The Rise of the Multimodal Novel: Generic Change and Its Narratological Implications
Wolfgang Hallet
7. On Absent Carrot Sticks: The Level of Abstraction in Video Games
Jesper Juul
8. Film + Comics: A Multimodal Romance in the Age of Transmedial Convergence
Jared Gardner
9. Tell It Like a Game: Scott Pilgrim and Performative Media Rivalry
Jeff Thoss
10. Those Insane Dream Sequences: Experientiality and Distorted Experience in Literature and Video Games
Marco Caracciolo
Part III: Transmedia Storytelling and Transmedial Worlds
11. Strategies of Storytelling on Transmedia Television
Jason Mittell
12. A Taxonomy of Transmedia Storytelling
Colin B. Harvey
13. Game of Thrones: Transmedial Worlds, Fandom, and Social Gaming
Lisbeth Klastrup and Susana Tosca
14. Transmedial Narration and Fan Fiction: The Storyworld of The Vampire Diaries
Maria Lindgren Leavenworth
15. The Developing Storyworld of H. P. Lovecraft
Van Leavenworth
Contributors
Index
[https://www.nebraskapress.unl.edu/nebraska-paperback/9780803245631/storyworlds-across-media/]

The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media—everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games—is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness?

The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.

(https://www.nebraskapress.unl.edu/nebraska-paperback/9780803245631/storyworlds-across-media/)

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