000			01401nam a22002417a 4500
005			20250226215804.0
008			250226b |||||||| |||| 00| 0 eng d
020			_a9783031406539
082			_a332.024 _bKIN
100			_aKing, Alasdair _921239
245			_aThe Financial image: _bfinance, philosophy and contemporary film
260			_bPalgrave Macmillan _aSwitzerland _c2024
300			_axii, 329 p.
365			_aEURO _b109.99
490			_aPalgrave Studies in Literature, Culture and Economics
520			_aThe Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. (https://link.springer.com/book/10.1007/978-3-031-40654-6)
650			_aPersonal finance
650			_aCultural politics of finance _921753
650			_aThe big short _921754
650			_aNarrative feature films _921755
650			_aMoving image installations _921756
942			_cBK _2ddc
999			_c8921 _d8921