000			02928nam a22002057a 4500
005			20250112201213.0
008			250112b |||||||| |||| 00| 0 eng d
020			_a9781032783758
082			_a895.11009 _bYE
245			_aPoetry and power of judgment: _bthe aesthetic unity of Chinese classical poetry
260			_bRoutledge _aNew York _c2024
300			_avi, 293 p.
365			_aGBP _b135.00
500			_aTable of content: Introduction 1. Beyond aesthetic tastes: Why can beauty make universal claim? 2. Universal cognitive laws upon which aesthetic judgment of Chinese classical poetry is grounded 3. The proposition with the most salient cognitive attributes in the history of Chinese poetics: Poetry is founded upon the power of judgment 4. The relationship among “aspiration,” “emotion,” and “judgment,” and the intermediary role of “intent” 5. An analysis of the cognitive nature of “intent” 6. How qi (vital force) and ge (manner) lead to the issue of “judgment”: The examination on qi and ge 7. “Principle” (li) and “judgment”: An examination of “principle” 8. “Ideorealm” and “judgment”: Cognitive issues in “ideorealm” [https://www.routledge.com/Poetry-and-Power-of-Judgment-The-Aesthetic-Unity-of-Chinese-Classical-Poetry/Ye/p/book/9781032783758?srsltid=AfmBOopblpPHDM-K_51c3uv8B8QcrDCeXZYaFI_jkScJ4D7dM0nTB2Gc]
520			_aThis book examines Chinese traditional poetry with an emphasis on the sources of pleasure in creating and appreciating classical Chinese poems and the basis for valid aesthetic judgments about poetry. The pleasure derived from art plays a crucial role in people’s evaluation of its worth. This book shows that Chinese classical poetics and Western aesthetics agree on the sources of aesthetic pleasure. Both hold, despite their obvious differences, that aesthetic taste essentially involves cognition. The book explores important ideas in traditional Chinese poetry, emphasizing that “Poetry is founded upon the power of judgement (shi).” This central idea guides other key concepts throughout the history of Chinese poetics, revealing the fundamental principles of creating and appreciating poetic art. The author presents new views of traditional Chinese poetry and poetics by unifying these long-dispersed basic propositions into a new coherent cognitivist framework that also gives due importance to emotion. Scholars and students studying Chinese literature, poetics, philosophy of art, and philosophy of mind will find this book interesting. (https://www.routledge.com/Poetry-and-Power-of-Judgment-The-Aesthetic-Unity-of-Chinese-Classical-Poetry/Ye/p/book/9781032783758?srsltid=AfmBOopblpPHDM-K_51c3uv8B8QcrDCeXZYaFI_jkScJ4D7dM0nTB2Gc)
650			_aChinese poetry--History and criticism _920469
650			_aLiterature--Aesthetic _920470
700			_aYe, Song [Translator] _920471
942			_cBK _2ddc
999			_c8463 _d8463