000 | 01440nam a22002417a 4500 | ||
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999 |
_c3346 _d3346 |
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005 | 20230322133713.0 | ||
008 | 230322b ||||| |||| 00| 0 eng d | ||
020 | _a9783030297213 | ||
082 |
_a741.59 _bDAV |
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100 |
_aDavies, Paul Fisher _98171 |
||
245 |
_aComics as communication: _ba functional approach |
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260 |
_bPalgrave Macmillan _aSwitzerland _c2019 |
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300 | _axix, 338 p. | ||
365 |
_aEURO _b99.99 |
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490 | _aPalgrave studies in comics and graphic novels | ||
520 | _aAbout this book This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative. | ||
650 |
_aComic books, strips, etc _912438 |
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650 |
_aGraphic novels _96354 |
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650 |
_aComic books, strips, etc.--Dialogue _912439 |
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650 |
_aPopular culture _9406 |
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650 |
_aCommunication _94462 |
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942 |
_2ddc _cBK |