The hardy boys: the end of the trail

By:

Dixon, Franklin W

Material type: Text

TextPublication details: Simon & Schuster New York 2002Description: 131 pISBN:

9780671047597

Subject(s):

James Earle Fraser’s--Best-Known sculpture

DDC classification:

813.52 DIX

Summary: The End of the Trail, James Earle Fraser’s best-known sculpture, has come to symbolize the genocide of Native American peoples amid relentless westward expansion. In 1894, the year after the World’s Columbian Exposition in Chicago, the 17-year-old Fraser, then a student at the School of the Art Institute, produced the first version of this bronze sculpture. (The Art Institute’s sculpture is a later model and cast.) Reenforcing the conception of the so-called vanishing Indian, the work portrays an exhausted Sioux drooping over his equally weary pony; both rider and horse have reached the end of the trail. (https://www.artic.edu/artworks/111661/the-end-of-the-trail)

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Current library	Collection	Call number	Copy number	Status	Date due	Barcode
Book	Indian Institute of Management LRC General Stacks	Non-fiction	813.52 DIX (Browse shelf(Opens below))	1	Available		007545

Browsing Indian Institute of Management LRC shelves, Shelving location: General Stacks, Collection: Non-fiction Close shelf browser (Hides shelf browser)

Previous								Next
Previous	813.08762 HEI Stranger in a strange land	813.52 DIX Boardwalk bust	813.52 DIX The hardy boys: no way out	813.52 DIX The hardy boys: the end of the trail	813.52 DIX The hard boys undercover brothers: the mummy's curse	813.52 DIX Typhoon island	813.52 DIX The castle conundrum	Next

The End of the Trail, James Earle Fraser’s best-known sculpture, has come to symbolize the genocide of Native American peoples amid relentless westward expansion. In 1894, the year after the World’s Columbian Exposition in Chicago, the 17-year-old Fraser, then a student at the School of the Art Institute, produced the first version of this bronze sculpture. (The Art Institute’s sculpture is a later model and cast.) Reenforcing the conception of the so-called vanishing Indian, the work portrays an exhausted Sioux drooping over his equally weary pony; both rider and horse have reached the end of the trail.

(https://www.artic.edu/artworks/111661/the-end-of-the-trail)

There are no comments on this title.

to post a comment.