Poetry and power of judgment: the aesthetic unity of Chinese classical poetry
Material type: TextPublication details: Routledge New York 2024Description: vi, 293 pISBN:- 9781032783758
- 895.11009 YE
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Book | Indian Institute of Management LRC General Stacks | Non-fiction | 895.11009 YE (Browse shelf(Opens below)) | 1 | Available | 007223 |
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894 TOM Valli | 894.8142 KAR Tughlaq | 894.814371 SHA Ghachar Ghochar | 895.11009 YE Poetry and power of judgment: the aesthetic unity of Chinese classical poetry | 895.1352 SHA Life 2.0: your best chance to script your legacy | 895.636 MUR Convenience store woman | 901.9 FOC The order of things: an archaeology of the human sciences |
Table of content:
Introduction 1. Beyond aesthetic tastes: Why can beauty make universal claim? 2. Universal cognitive laws upon which aesthetic judgment of Chinese classical poetry is grounded 3. The proposition with the most salient cognitive attributes in the history of Chinese poetics: Poetry is founded upon the power of judgment 4. The relationship among “aspiration,” “emotion,” and “judgment,” and the intermediary role of “intent” 5. An analysis of the cognitive nature of “intent” 6. How qi (vital force) and ge (manner) lead to the issue of “judgment”: The examination on qi and ge 7. “Principle” (li) and “judgment”: An examination of “principle” 8. “Ideorealm” and “judgment”: Cognitive issues in “ideorealm”
[https://www.routledge.com/Poetry-and-Power-of-Judgment-The-Aesthetic-Unity-of-Chinese-Classical-Poetry/Ye/p/book/9781032783758?srsltid=AfmBOopblpPHDM-K_51c3uv8B8QcrDCeXZYaFI_jkScJ4D7dM0nTB2Gc]
This book examines Chinese traditional poetry with an emphasis on the sources of pleasure in creating and appreciating classical Chinese poems and the basis for valid aesthetic judgments about poetry.
The pleasure derived from art plays a crucial role in people’s evaluation of its worth. This book shows that Chinese classical poetics and Western aesthetics agree on the sources of aesthetic pleasure. Both hold, despite their obvious differences, that aesthetic taste essentially involves cognition. The book explores important ideas in traditional Chinese poetry, emphasizing that “Poetry is founded upon the power of judgement (shi).” This central idea guides other key concepts throughout the history of Chinese poetics, revealing the fundamental principles of creating and appreciating poetic art. The author presents new views of traditional Chinese poetry and poetics by unifying these long-dispersed basic propositions into a new coherent cognitivist framework that also gives due importance to emotion.
Scholars and students studying Chinese literature, poetics, philosophy of art, and philosophy of mind will find this book interesting.
(https://www.routledge.com/Poetry-and-Power-of-Judgment-The-Aesthetic-Unity-of-Chinese-Classical-Poetry/Ye/p/book/9781032783758?srsltid=AfmBOopblpPHDM-K_51c3uv8B8QcrDCeXZYaFI_jkScJ4D7dM0nTB2Gc)
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