All men must die: power and passion in Game of Thrones
Material type: TextPublication details: Bloomsbury Publishing Plc London 2021Description: xvi, 272 pISBN:- 9781784539320
- 791.4572 LAR
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Book | Indian Institute of Management LRC General Stacks | Fiction | 791.4572 LAR (Browse shelf(Opens below)) | 1 | Checked out | 02/09/2025 | 004383 |
Browsing Indian Institute of Management LRC shelves, Shelving location: General Stacks, Collection: Fiction Close shelf browser (Hides shelf browser)
741.5973 MAR A clash of kings: the graphic novel | 741.5973 THO Habibi | 791.4372 SAT Perspolis | 791.4572 LAR All men must die: | 796.358092 SAN Imran Khan: Cricketer, the celebrity, the politician | 801 DIV The forest of enchantment | 808.2 ARI Poetics |
Table of Contents
List of Illustrations
List of Episodes
Preface
Acknowledgements
Introduction
1. Institutions and the Family
2. Identity
3. Power and Knowledge
4. Love, Desire and Hate
5. Gods, Demons and Monsters
6. Us and Them: Gender and Marginalization
Afterword
Bibliography
Index
All men must die': or 'Valar Morghulis', as the traditional Essos greeting is rendered in High Valyrian. And die they do – in prodigious numbers; in imaginatively varied and gruesome ways; and often in terror within the viciously unpredictable world that is HBO's sensational evocation of Game of Thrones. Epic in scope and in imaginative breadth, the stories that are brought to life tell of the dramatic rise and fall of nations, the brutal sweeping away of old orders and the advent of new autarchs in the eternal quest for dominion.
Yet, as this book reveals, many potent and intimate narratives of love and passion can be found within these grand landscapes of heroism, honour and death. They focus on strong relationships between women and family, as well as among the anti-heroes, the 'cripples, bastards and broken things'. In this vital follow-up to Winter Is Coming (2015), acclaimed medievalist Carolyne Larrington explores themes of power, blood-kin, lust and sex in order to draw entirely fresh meanings out of the show of the century.
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